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Closeup of a man carving a totem

Stories Carved in Cedar

Carvings shown here, from the collections of the Royal British Columbia Museum, have survived the ravages of time, social disruption, and dislocation to move toward a more hopeful future. They speak of territories and laws, celebration and loss, accomplishments, families, and encounters with supernatural beings. In doing so, they reflect the enduring spirit of the peoples who created them.

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HAIDA

K’uuna: Village on the Edge

The ancient Haida village of K'uuna Llnagaay was poised on the edge of the sea, on the edge of an island and, by the late 1800s, on the sharp edge of change.

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Nuu-chah-nulth

Welcome to Huu-ay-aht Territory

Carved figures of the first Huu-ay-aht ancestors welcome visitors to a special Potlatch at Kiixin, the ancient capital.

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Gitxsan

Laws of the Gitanyow

Gitanyow poles tell about the histories, territories, rights, and responsibilities of their peoples.

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Coast Salish

Puykwilum’s Remarkable Family

Five house posts from this Cowichan shaman’s longhouse in the Coast Salish village of Qw’umqwiimut tell of the abilities and powers of his family members.
 

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Kwakwa̱ka̱ʼwakw

An Artist’s Legacy

A pole carved in 1953 at Thunderbird Park by a revered Kwakwa̱ka̱ʼwakw artist celebrated the return of the potlatch and inspired new generations of carvers.

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Nuxalk

Riches from the Sea

Images on this Nuxalk house entrance pole describe the wealth and generosity of Talyu Chief Snuxyaltwa’s family and their strong ties to the ocean.

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Haida

T’annu’s Man with the Falling Eyes

This house frontal pole from T’annu, tells the story of a mythical Haida Sea Chief whose eyes dropped out each night.

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